If you followed the blog linearly from the landing page, your attention has been guided to this page.
You have performed the prescribed score so far and are now invited to choreographically improvise it from this moment on. Make a mess of it if you wish, or pick something specific from the elements below, to make of it what you think it is or rather it be.
Or drop it and close all 7 tabs.
Or redirect your attention to foreground one thing, or something else completely.
WHAT CAN IT BE?
If you instead clicked on the menu WHAT CAN IT BE (top right) and landed consequentially here, you are invited to choreograph and perform the blog from this moment on anyway.
Or start from the home page and try again.
Or drop it.
Or redirect your attention to foreground something else completely.
WHAT COULD IT BE?
It is digital performance we are dealing with right here.
WHAT IS IT THEN?
Many shadows of my performance practice? An alter-ego, an other, the whispered reminder of a multifaceted nature of the pit of the work? Your revisited version of this work?
You have performed the prescribed score so far and are now invited to choreographically improvise it from this moment on. Make a mess of it if you wish, or pick something specific from the elements below, to make of it what you think it is or rather it be.
Or drop it and close all 7 tabs.
Or redirect your attention to foreground one thing, or something else completely.
WHAT CAN IT BE?
If you instead clicked on the menu WHAT CAN IT BE (top right) and landed consequentially here, you are invited to choreograph and perform the blog from this moment on anyway.
Or start from the home page and try again.
Or drop it.
Or redirect your attention to foreground something else completely.
WHAT COULD IT BE?
It is digital performance we are dealing with right here.
WHAT IS IT THEN?
Many shadows of my performance practice? An alter-ego, an other, the whispered reminder of a multifaceted nature of the pit of the work? Your revisited version of this work?
not bodies
not material.
It is not a proof
not what I intended it to be
not confusion.
I intended it to be confusing.
it is a body. virtual.
it is a proof
it is what I had intended
not vague
not mine
not live
it is not alive
it is not a memory
it is not a fiction
I distrust fiction.
it is vague
it is a memory
all is a fiction.
not loyal
not ephemeral
not unforgettable
not digits
it is also digits
I distrust digits.
it is memorable.
It is not nothing
make it be less.
It is a reaction.
Someone said reacting is one way of responding.
It is not a wilful reaction.
It is not a shadow.
It is not its shadow.
It is not the shadow of that performance.
It is not what it is.
I’m back.
It’s a digital performance.
A performance of digits.
Fingers. Fingers digiting things. What things? No-things.
No thanks. No real things, at least, no digital prints left. No prints.
No real fingers either. No digital art. No digits, no art. No party no fun.
Not for somebody. Not for us. Not to be performed. Not numerable. Not digitable.
not material.
It is not a proof
not what I intended it to be
not confusion.
I intended it to be confusing.
it is a body. virtual.
it is a proof
it is what I had intended
not vague
not mine
not live
it is not alive
it is not a memory
it is not a fiction
I distrust fiction.
it is vague
it is a memory
all is a fiction.
not loyal
not ephemeral
not unforgettable
not digits
it is also digits
I distrust digits.
it is memorable.
It is not nothing
make it be less.
It is a reaction.
Someone said reacting is one way of responding.
It is not a wilful reaction.
It is not a shadow.
It is not its shadow.
It is not the shadow of that performance.
It is not what it is.
I’m back.
It’s a digital performance.
A performance of digits.
Fingers. Fingers digiting things. What things? No-things.
No thanks. No real things, at least, no digital prints left. No prints.
No real fingers either. No digital art. No digits, no art. No party no fun.
Not for somebody. Not for us. Not to be performed. Not numerable. Not digitable.
a representation of the shadow-metaphor through the affordances of digital AV technology
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WHAT CAN IT BE
an opportunity for playground:
experimentation, collaboration and multi-modal delivery of elements of work, through mixing, overlaying or playfully finding cross-connections between the researches of three artists: Emily Welther; Korina Kordova; Irina Baldini camera: Pierre Mollet; Simona Piras live stream tech: Pierre Mollet (full 1h stream here) |